Bruce Bauman is everywhere at the moment : at Gagosian, at the Fondation Cartier, and tonight, at Kamel Mennour.
I’m hoping for some shiny good-looking neon pieces tonight, to recover from this ‘Animal Pyramid’ from 1989 : seventeen dead animals molded in (repelling) polyurethane, chickenified and grotesquely piled.
Apparently, my repulsion is the expected reaction.